4100 Redwood Rd #406
Oakland, CA 94619
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North America

Content Project
This is the story of the doctor who stopped the drug thalidomide from coming into the US in the early 1960s. The drug was the cause of severe birth defects in children in 47 countries before Richardson Merrill tried to get a license in the US through the Federal Drug Administration to sell the drug in the US. Kelsey did not trust the data that the drug company was giving her concerning testing the drug on pregnant women. This led her to deny them the license.
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Content Project
Beyond the Bricks Project is a media and international community engagement initiative encouraging and promoting solutions based dialog and action that increases the educational and social outcomes for school age black males. The BTBP engages black male youth in the use media and 21st century tools to reimagine and reimage the black male persona and advocate for his community.
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Content Project

With thousands of untested chemicals in our everyday produts, have we all become unwitting guinea pigs in one giant human experiment? The fight is on to protect us from these toxic products before they cause irrevocable harm to our health.

Content Project
"The American Revolution" is a feature-length documentary film produced for festival, theatrical, and broadcast release. It's the story of how a radio station, politics and rock and roll changed everything.  
Content Project

A unique, weekly, non-profit, non-partisan platform for critical issues, news and culture with proven appeal in the increasingly strident, slanted arena of U.S. commercial radio as well as American Forces Radio overseas and the Internet.

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Content Project
A Fierce Green Fire is the first big-picture synthesis of environmentalism - grassroots and global activism spanning fifty years worldwide. It tells the story of the environmental movement from conservation to climate change. We focus on activism -- people fighting to save their homes, their lives, the future. Our concerns are connecting causes, how the issues grew, exploring ideas and the evolution of a vision. The common theme is a struggle to save nature against the destructive impact of humanity – from halting dams in the Grand Canyon to battling 20,000 tons of toxic waste at Love Canal; from Greenpeace saving the whales to Chico Mendes and the rubbertappers saving the Amazon; from climate change to the promise of transforming our civilization. Our thesis is that this is the time when mankind must learn to live with nature, move beyond the exploitation at the heart of industrial society and find a way based on biology, balancing human needs with the natural world that sustains us, creating a living planet. As Stewart Brand says in the film, “We’re not passengers on Spaceship Earth. We are Spaceship Earth. We are Gaia.”  
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Content Project

From Emmy award-winning filmmakers Joe and Harry Gantz, CRISIS CALL 211 is a documentary film that will present a powerful portrait of the effects of America's prolonged economic recession, as well as the impact of billions of dollars in budget cuts to the country's social safety net, from the vantage point of families in crisis who are searching for help.

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Content Project
Media has fueled our nation's deadly gun violence epidemic, so Beyond Bullets is using media to change the message about gun violence and become part of the solution. By putting cameras instead of guns into the hands of youth, Beyond Bullets distributes youth-created anti-gun violence videos and starts community conversations about ways to stop the carnage.
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Content Project

The first documentary film that tells the story of when Jews dominated the sport of boxing both in and out of the ring.

Content Project
Food for 9 Billion is an independently produced feature series for public radio and TV that examines the social, environmental, economic, political, and technical dimensions of humankind's struggle to put food on the table. Production partners are Homelands Productions and the Center for Investigative Reporting; primary outlets are Marketplace and PBS NewsHour. 

 

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